Incidentally and anxiously, I discover and draw from the
meanderings of the female image in our culture, as it addresses me. I treat the cultural, commercial and personal
as one in my work, through a process of collecting, collaging and manipulating
fashion and personal images into my paintings. Elements coexist in the paintings to describe
the anxiety associated with inhabiting a medial self-consciousness. Edges disintegrate, limbs distort, paint
melts into skin, and glances confront in discord.